I would like to acknowledge the unceded lands on which I study, work and live, the Woi Wurrung and Boon Wurrung language groups of the Kulin Nations. I recognise the privilege it is to create theatre on this land where performances have been shared since time immemorial. I pay my respects to Elders past present and emerging, and to all First Nations Peoples.
Cendrillon
Union Theatre, Parkville, 2025
Victorian College of the Arts, and Melbourne Conservatorium of Music,
Images: Ben Fon.
Union Theatre, Parkville, 2025
Victorian College of the Arts, and Melbourne Conservatorium of Music,
Images: Ben Fon.
Union Theatre, Parkville, 2025
Victorian College of the Arts, and Melbourne Conservatorium of Music,
Images: Ben Fon.
Costume Manager.
Collaborated with designer, makers, stage management and director. Created and maintained costume handbook and financial documentation.
Lead double cast fittings, sourcing, budget management, bump in and out.
Wigs, makeup and multiple costumes per 30 cast.
☆☆☆☆ - Limelight.
"In their playful interpretation of centuries-past French elegance ... it could be said just how much [the] costumes reflect Massenet’s glinted score"
- Australian Arts Review
Costume Manager.
Collaborated with designer, makers, stage management and director. Created and maintained costume handbook and financial documentation.
Lead double cast fittings, sourcing, budget management, bump in and out.
Wigs, makeup and multiple costumes per 30 cast.
☆☆☆☆ - Limelight.
"In their playful interpretation of centuries-past French elegance ... it could be said just how much [the] costumes reflect Massenet’s glinted score"
- Australian Arts Review
Costume Manager.
Collaborated with designer, makers, stage management and director. Created and maintained costume handbook and financial documentation.
Lead double cast fittings, sourcing, budget management, bump in and out.
Wigs, makeup and multiple costumes per 30 cast.
☆☆☆☆ - Limelight.
"In their playful interpretation of centuries-past French elegance ... it could be said just how much [the] costumes reflect Massenet’s glinted score"
- Australian Arts Review